Lucy Cordes Engelman is an artist based in Amsterdam, originally from Washington DC. She works with the sensorial potential of film and writing in relation to feminism and ecology as a way of reconnecting to the living earth and its seas. Subjugated and alternative knowledges that are deeply embedded in place are central to Lucy’s research-based practice, which often engages with hydrofeminism and mythology as a way to explore the shoreline between the human and non-human. Graduating with honors from the MA Artistic Research at KABK in 2019, Lucy was a participant in the Arctic Circle Residency in 2022, and has an upcoming show at LOOP Alternative Space in Seoul.

Pleasure Points is part of Lena Holzer's research revolving around sensuality and sexuality; a space for a sincere exchange of erotic knowledge and experiences in conversation with people who enjoy having, thinking or talking about human relationships and sex. In this confessional interlude Lena is sharing some of her writings related to her research.

A Litany for Softness by Yuna Lee @yuna.lee__⁠ ⁠ Yuna's work centres on memory, ritual and healing. Particularly, the notion of softness as resistance and resilience even in the face of violence which draws from her personal experience as well as areas of research such as Daoism and speculative fiction. This is embodied by the element of water whose freeform grace runs throughout the soundscape. Field recordings, samples and spoken word, traces from a myriad of times and places, are recontextualized with the same fluidity.⁠

On creativity in the postpartum period by Leonie Roessler ⁠ Radio LOOS Special II, on Creativity during the Postpartum Period, is a follow-up to the previous episode which explores the creative process artists experience while being pregnant. How do women navigate their lives as artists after giving birth? Can the demands of motherhood be met while an artistic practice is maintained? Words, thoughts, and impressions from Asami Kiuchi, Darina Zurková, Dewi de Vree, Kate Donovan, Maia Koenig, Rosanna Lovell, and Tatiana Kolganova, to an all-too familiar soundscape that all parents will recognize at once… Curated and produced by Leonie Roessler for Studio LOOS, with funding from the Gemeente Den Haag.⁠ This show has been featured on⁠ Radiophrenia Art Radio Festival, August 2023⁠ Summoning Voice Festival, Goethe Institute Rotterdam, July 2023⁠ Resonance Extra, London, April 2023⁠ Cashmere Radio Berlin, April 2023⁠ Radio TONKA, The Hague 2023⁠ CAMP Radio, France, April 2023⁠ Bermudafunk Mannheim, April 2023⁠ Radio Blau, Leipzig, November 2022

Maria Carmen Punzi is a PhD researcher, consultant, and activist. In her research, she investigates the key role menstrual health can play to achieve gender equity. In 2021, in collaboration with other stakeholders, she has advocated and obtained funding for free menstrual products in the university campus. Maria Carmen is also regularly consulted by companies on how to accommodate menstrual needs in the workplace and how to integrate menstrual health in sexual and reproductive health and rights and gender equity programs. When she is not busy writing and teaching, she curates the @periodswithmariacarmen Instagram page, where she translates evidence on the menstrual cycle into fun, shareable content.⁠⁠ This interview was originally recorded in January 2024 and done by Sophie Allerding.

Documentation and reflections on the last workshop of Hackers & Designers Summer Academy 2022 with The Negative Emissions and Waste Studies (NEWS) from Aotearoa (Sometimes referred to as New Zealand), and Hackers & Designers.

Dr. Alice Twemlow is a Research Professor at the Royal Academy of Art The Hague (KABK) where she leads the Deep Futures research project. Before moving to Amsterdam, British-born Twemlow was based in New York where she co-founded and directed the MFA in Design Criticism and MA in Design Research, Writing & Criticism at the School of Visual Arts. She has a Ph.D in History of Design (V&A/RCA), and her book, Sifting the Trash: A History of Design Criticism, was published by MIT Press in 2017. She is also a Professor of the History, Theory & Sociology of Visual Culture in the Faculty of Humanities at University of Amsterdam.

This Radio Séance I am conjuring up spirits with Simon Labbé. Simon does compositions with sound and objects and he uses role play in the process of his work. We will in particular summon up parts of his long term project, the opera ‚En la Maison Dédalus‘.

ᖇᗩᗪIO ᔕéᗩᑎᑕE is a research project on the radio by Radio Echo Member Sophie Allerding, about role play and active imagination as modes of knowledge production and storytelling methods. Next to life experiments, different makers and practices will be interviewed.

Victoria Martínez is a Mexican visual artist based in Berlin. Her work involves storytelling of political realities and fictional possibilities through abstraction and poetry. Her practice is influenced by counter-colonial ways of seeing and a non-disciplinary approach to artistic mediums, switching between video, sound and paper within live situations. She has a background in philosophy and is currently part of Lens Based New Media Class at UdK Berlin.

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

As information designer Karin Fischnaller creates visual narratives of knowledge in today’s complex and ambiguous settings. Her design practice displays a strong relation between a journalistic approach and scientific methods. Hence, interview strategies to report information as well as systematical studies through observation, experiment and mapping of contexts take an important place.

Mia Duni is a Berlin-based DJ, promoter and performing artist from Rijeka (Croatia). She is a member of the queer*feminist collective POSSY from Hamburg, as well as a resident at Manual Club and Radio Roža in her hometown. mia is genre-fluid. Her sound is nurtured by an abundance of different musical interests. Within the last few years, she has been exploring a range of genres. In club contexts, she likes to focus on a deep, dark electro, breakbeat, ebm and techno sound. In moments of calmness, her tunes float between ambient, idm and downtempo. Enjoy and let yourself be surprised!

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

Rotterdam, ever since its beginnings. Two relevant activities for WORM have been: running the WORM shop with books, films and records, and founding the RE#SISTER community, operating from WORM’s electronic studio. The WORM shop has morphed into a mobile and on-line shop called Underbelly Soundartmedia; RE#SISTER has evolved rapidly in a vibrant group of female and non-binary people, responding to its ethos of accessibility, do-it-yourself experimentation and learning, supporting those who tend to be underrepresented in sound art, as well as in electronic and improvised music. Mariëtte herself plays free-flowing music, either solo or with others, using her voice, synths, samples and small acoustic instruments.

Cara Mayer is Cardboard Lamb. As a DJ, she cares about narrative radio – mixing ambient, experimental electronics, and various iterations of wave and folk with film clips, field recordings, and poetry along a chosen theme.

She is a resident at Mutant Radio in Tbilisi with a bi-monthly show exploring Italo Calvino’s Invisible Cities, as well as a student studying the sonics, poetics, and politics of spaces at Sandberg’s Studio for Immediate Spaces. Outside of DJing, Cara is a music programmer at Radio Tempo Não Pàra, and has worked as a writer, host, and radio-maker for Pinkman Records, Operator, and Future Intel. Sounds like / Recommended for fans of Birds, sad DJs with a sense of humor, those who’d prefer the dance floor to be a trembling pumpkin patch with a fog machine, discordant folk lovingly dug up by a variety of ageing Belgian men, Jack Rollo’s Early Bird Show, electro-punk from Düsseldorf, your upstairs neighbour who practices the saxophone each night at eight, on the dot.

Sophia Bulgakova is a Ukrainian ArtScientist, interdisciplinary artist, and activist currently based in the Netherlands. Sophia works with art, technology, and contemporary social structures, focusing on the relationship between cultural identities, perception, and imagination. Sophia Bulgakova studied sculpture in Kyiv and then got a foundation diploma in Photography and Time-Based Media at the University of the Arts London in the UK. After that, she graduated from the ArtScience Interfaculty at the Royal Academy of the Art and Royal Conservatory in The Hague, the Netherlands. Her works were exhibited at Ars Electronica Festival (AT), CTM Festival (DE), Sonic Acts Festival (NL), Baltan Laboratories (NL), Mediamatic (NL), and Ningbo City Exhibition Hall (CN), among other places.

A conversation with Joanna Zylinska that took place during the Summoning voices - A radio symposium on feminist world making July 8-9.23 in Goethe Institut Rotterdam and at radioecho.net

In the conversation you can hear Joanna talking about her academic and artistic journey, her book The End of Man: A Feminist Counterapocalypse, and enthusiasm for technology from the feminist standpoint.

Bio:

Joanna Zylinska is a writer, lecturer, artist and curator, working in the areas of digital technologies and new media, ethics, photography and art. She is Professor of Media Philosophy + Critical Digital Practice in the Department of Digital Humanities at King's College London. She is also a member of Creative AI Lab, a collaboration between King's and Serpentine Galleries. Prior to joining King's in 2021, she worked for many years at Goldsmiths, University of London, including as Co-Head of its Department of Media, Communications and Cultural Studies. She has held visiting positions as Guest Professor at Shandong University in China, Winton Chair Visiting Scholar at the University of Minnesota, US, and Beaverbrook Visiting Scholar at McGill University in Canada.

Zylinska is the author of eight books - most recently, AI Art: Machine Visions and Warped Dreams (Open Humanities Press, 2020, open access), The End of Man: A Feminist Counterapocalypse (University of Minnesota Press, 2018, open access) and Nonhuman Photography (MIT Press, 2017).

Zylinska combines her philosophical writings with image-based art practice and curatorial work.

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

How ocean currents move plastic – and thus make it a global problem?

The plastic polluting our ocean is very troublesome. Plastic has now been found from the deepest ocean trenches to the Arctic Sea ice. But whose plastic is it that is now littering our once-pristine ocean? Where does marine litter come from, and where does it end up?

In this talk, Erik will show how we combine computer simulations of virtual particles with advanced statistics and techniques from archaeology to determine the most likely sources of the plastic ending up on remote islands like the Galapagos and Svalbard. And ask how this plastic soup is related to climate change.

Erik van Sebille is an oceanographer, climate scientist and activist. His research focuses on how ocean currents transport heat, nutrients, marine organisms and plastic litter. He builds computer models to simulate the transport of this ‘stuff’ in the ocean. He is also affiliated with the Freudenthal Institute, where he leads research into the effectivity of Public Engagement activities and the role of academics in society, within the context of Open Science.

Karaoke party to close Summoning Voices! Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

Sissel Marie Tonn is a Danish artist based in The Hague (NL). In her practice she explores the complex ways humans perceive, act upon and are entangled with their environments. Her work always returns to the question at the core of ecological thought:

Where do we perceive our bodies to end, and the environment to begin?

"We will make a low-level worm bin out of used mayo buckets. It is a good way to get acquainted with worms for once and a start of a symbiosis between humans and worms. There will also be a comprehensive story about worms; for example, differences between worms, how to care for them and what to look out for to keep them happy. You will be given a handy worm menu card at the end."

Jamie Nee (Jamie Stulen) is a producer from Den Helder and has a studio in Utrecht. Jamie refers to stories about ecology, symbiosis, cycles, self-sufficiency, regenerative culture, permaculture, gardening, micro-life and sometimes physics. He sees himself as an ecosystem engineer and a symbiont, in effect what people are anyway, but believes this needs to be reclaimed. The slowly building mission is to instruct people to become 'intentionally symbiotic' again, to give them the tools to produce their own food, which often starts with compost.

Reinterpreting the conceptual methodology of 'Weathering' (Neimanis and Hamilton, 2018), this experimental meditation invites listeners to adopt a feminist mode of responding to climate changes. With closed eyes, listeners are encouraged to awaken the cells of their bodies and collectively sense the weather. We are prompted to quietly feel the moments when unseen particles traverse our bodies. Tuning into the warmth of sunlight and the gentle caress of the wind, we become attuned to the interconnectedness of our existence.⁠

In their collaboration, Sohyun Park and Adriana Joëlle process their personal experiences and research through writing text, before they start working in sculptural space. These writings attempt to find a balance between resilience and vulnerability from a feminist perspective. This ongoing experiments unravel hopelessness within care taking. While a certain fragility exists in its purest form, its also the base for spreading extensive networks.

The installation and performance inspired by these texts has been showcased at TRIXIE, The Hague on April 14th 2024.

Radio Specials: Mariëtte Groot chats with ReSister members, inviting them to play and discuss their favourite (portable) instrument from the studio.

Emilia Martin speaks with an artist, researcher, mother, maker and a phd graduate Agata Read about the intersection of embroidery, photography and feminism, crafts and art.

https://agataread.com/ https://www.instagram.com/agiread/

With Niki Blau. Pleasure Points is part of a research revolving around sensuality and sexuality; a space for a sincere exchange of erotic knowledge and experiences in conversation with people who enjoy having, thinking or talking about human relationships and sex.!

A conversation between Kris (Krismika, Operator), Louisa @polarwolf___ and Radio Echo Collective on the gender imbalance behind the decks and how their feminist workshops (Sunflowers, emme to femme) open the space especially to women

mild and wild ⁠by Louisa Wolf @polarwolf___⁠ A DJ set as journey through dark disco, down and midtempo.⁠

Live impressions from the 8th of March protest in Utrecht

Highlighting the music of today's female artists in electronic, jazz, pop, hyperpop scene⁠.

Sophie Allerding: A plea to the power of the erotics. Adrienne Maree Brown begins her book "Pleasure Activism" with the exercise 'Who taught you to be good,' in which she encourages readers to look back at their lineage and acknowledge who politicized their experience of body, identity, sensation, and feeling good. Through this exercise, I realized what a privilege it is to grow up with a mother who encourages independence, strength, non-gender conformity, and is open to giving you the best sexual education accessible to her. Without my mother I would have not been the feminist I am today. She laid the groundwork for the way I fight for gender-equity. Join me for a conversation with my mother on her story on female empowerment, sexual liberation and music.⁠

Radio Specials⁠: Mariëtte Groot chats with ReSister members, inviting them to play and discuss their favourite (portable) instrument from the studio.

to sculpt a body a text a life a stone ~ the performance "Grounding Exercise" is a poem wandering through geologic timescales. Sedimented over time, it stretches across timeframes, mineral bodies, linking and layering references from ecology, mythology and lived experience.⁠

dj set homosampliens by bloom de wilde

FEMINASTYYY & Mrs. World Wide PRESENT a Merry FEMINIST Quizmas. You think you know anything about feminisme?!? Come fight us. These gatekeeping doms will whip your knowledge into existence. Have your smartphone ready to answer the quiz questionz through Mentimeter, and churn that brain for 40 minutes. The winner takes it all (aka a HOT prize). Play from home or play IRL with US with a drink at Wunderbar. MEN GONE - MANIFEST ON⁠

Music to Menstruate to by Heather Beveridge

Live impressions of the 8M protest in Rotterdam and close by

On creativity during pregnancy by Leonie Roessler ⁠ Traditionally it has been challenging for women to secure a career in the arts and to pursue art as a profession rather than simply as a hobby. When women emancipated themselves and contraception became widely available they could pursue artistic careers, but often had to, or felt like they had to chose between their work and becoming mothers. This is only changing slowly and balancing work and motherhood remains a challenge. However, many women also feel a new surge of creativity during pregnancy and when entering motherhood, and there is scientific evidence that suggests that the physical changes brought on by motherhood promotes a new sort of creativity. This episode is an informal exploration of this topic, with contributions from Tatiana Kolganova, Asami Kiuchi Oishi, and Maya Felixbrodt.⁠ Heard on:⁠ Radiophrenia 2023⁠ Summoning Voices, Goethe Institute Rotterdam⁠ Resonance Extra, London⁠ Cashmere Radio Berlin⁠ Radio TONKA⁠ CAMP Radio⁠ Bermudafunk Mannhein⁠ Radio Blau, Leipzig

@resister.rotterdam Radio Specials⁠ Mariëtte @underbelly.soundartmedia will chat with @resister.rotterdam members, inviting them to play and discuss their favourite (portable) instrument from the studio.⁠ This conversation is with Viana Afoumou and the third one on FemFest

Song break by Radio Echo

Graquandra & Baby “G” Experience SB

Talking Skateboarding from the "G" Experience:⁠ Skate and Destroy the Patriarchy!⁠

Skateboarding is built on community and DIY initiatives. The fuels that keep the culture pushing forward are the skateboarders themselves. Skateboarders will tell you it's one big family, while leaving non-traditional skateboarders in the shadows. As many other male-dominated sports, the Girls, the Gays, the G's if you will are underrepresented and marginalised. It is not all sorrows, initiatives such as New Wave Skate and The Baby G Experience SB are examples of community care by and for women and queer skateboarders to have an empowering and safe space to practice the sport that gives us so much. Talking about skate edits, their favourite skaters, initiatives, magazines and some fundamentals of skate culture, in this episode Negara and Graquandra talk skateboarding, from the "G" perspective. A guest call-in with Valentina Díaz, founder of the Colombian Girl Skate Crew Sobre Ruedas Girls, Valentina will share her story in the Colombian skate scene. After the show, there will be a FREE Skate lesson hosted by The Baby G Experience SB from 17:00 at Schouwburgplein. ⁠

Multilingual mess is a solo radio performance and an extension of Antrianna's bi-weekly show at Radio WORM. For 45' she will perform the practice that she calls nonstop languaging, a practice of tracing her thoughts through language as an attempt to merge autobiography with theory and articulate the continuous present. In this performance she will focus on the languages that form her everyday life and the women (artists, writers, grandmothers) that shape her artistic research on nonstop languaging as autotheory.⁠

A woman deep dives, trying to beat the algorithm in search of hope and comfort. A mix of songs and samples that touched my soul in a time of need.⁠

(Selection: Noise Unit - A Place to Lay Your Head, Vox Populi! - Kachalestan, Lula Côrtes - Nordeste Oriental, Louise Bourgeois- Otte, 矢野顕子- Dogs Awaiting, Noise Unit- Firing line, S Y Z Y G Y X - In Pieces, Molly Nilsson - I hope you die, Mammy - の中のひみつ, Magdalena Bay - Top Dog, Maria Monti - La Pecora Crede Di Essere Un Cavallo, ザ·ワード II)⁠

⁠I am not sad, or disappointed. ⁠ I am angry and I am not okay with the way things are. ⁠

A festival opening, 08.03.2024

Palestinian poet Dareen Tatour was convicted by an Israeli court in Nazareth of “incitement to violence” for a poem she wrote. The prosecution demanded a long prison sentence and final sentencing was announced on Tuesday, July 31, 2018. Dareen spent a total of THREE years under house arrest and in prison, between October 2015 - September 2018. She was released on September 21, 2018 on probation with the condition that she not publish any political art work. On November 29, 2018 she stood before the court once again, appealing against her verdict...⁠ ⁠ Aired during 3-10.11.2018 by 11 radio stations in Europe and the US.⁠ credits⁠ from radioworks_vol.02, released December 2, 2022⁠ Recorded, edited and produced by Meira Asher, radioart106.⁠ Voiceover - Antye Greie.⁠ Image - Dareen Tatour⁠ ⁠ featuring music by Kohn / AGF / David Oppenheim / Dror Feiler / Anne-Line Drocourt / FeralMind with Claudia Wegener / Wild Anima with Selma Zghidi) Valerie Vivancos with Bernard Clarke and Dinah Bird / Phill Will / Rim Banna / Maruda with Mounia R. / Naseer Shamma / Floy Krouchi and Meira Asher.⁠ ⁠ Some of this music and more, can be found on the solidarity campaign album #poemontrial at dareentatour.bandcamp.com⁠ all sale proceeds are utilised to assist Dareen’s legal challenge.⁠

This radioplay where time meets nature, forever in the now; was written via SMS back-and-forth last spring, and performed live with our two voices at the Discomfort Dispatch event at Worm, Rotterdam.

A queer feminist history. Gossip does not have a good reputation - wrongly so. For marginalised people in particular, the passing on of information beyond the official, dominant transfer of knowledge has often been essential for survival.

Girl Hauntology highlights the women who have been rendered ghostly in the art canon, as “deconstructive figures hovering between life and death, presence and absence.” In an interview, two Oslo-based friends and young artists Madelon Verbeek (NL) and Ghazaal Nasiri (IR) share their influences and the connections to their work from a transnational, feminist perspective. The entry point of the conversation is the eerie/ghostly/unsettling in their work.

girl hauntology highlights the women who have been rendered ghostly in the art canon, as “deconstructive figures hovering between life and death, presence and absence.” This mixtape focuses on the eerie, ghostly, sad girl imagination that electronic experimental music can evoke. As musician and historian of sound Tara Rodgers writes in her book Pink Noises: "The tools for making electronic music are not innocent. They are an interface to ghosts of technoscientific projects past." The flinta* artists in this mixtape will haunt you with ethereal voices, granulated sounds, morphed rhythms, and analogue synthesizers.

This is the audio documentation of the workshop Hacking Into Open Source and Open Space created by MELT for the Hackers & Designers Summer Academy 2022 around the theme Connecting Otherwise. Find further information about the workshop and the summer academy here: https://hackersanddesigners.nl/s/Summer_Academy_2022/p/Hacking_Into_Open_Source_and_Open_Space_with_MELT. Further information about Melt: http://meltionary.com/

Documentation and reflections on the last workshop of Hackers & Designers Summer Academy 2022 with The Negative Emissions and Waste Studies (NEWS) from Aotearoa (Sometimes referred to as New Zealand), and Hackers & Designers.

Renata and Lina from Radio Echo discuss Hackers & Designers' Code of Conduct and varia collective's new book "Vernaculars come to matter".

A live performance and talk with Questions Collective, an Amsterdam based interdisciplinary female identifying collective who combine shared backgrounds in design, art, theater, music and choreography across workshops, performances, exhibitions and theater productions.

Internet: the Musical researches creative collaboration through performances and workshops. We propose different modes of collective working that are part of the world building process and move away from the idea of a single exclusive event or story. The project is based upon the creative commons code Attribution-NonCommercial-ShareAlike. As participants join, contribute, perform, or give feedback they become part of the next round of material and framework which ITM grows within. The process is circular and hybrid, becoming a creative starting point for the following workshops, performances, and creative direction.

LINKS: http://www.internetthemusical.com/ https://www.questionscollective.com/

Book presentation of Making Matters – A Vocabulary of Collective Arts with Anja Groten (Hackers & Designers), Elaine W. Ho (Display Distribute) who will be joining online, and Florian Cramer. LINKS: http://making-matters.nl/ https://www.valiz.nl/publicaties/making-matters

VLTK is an ongoing research project that aims to connect the vernacular to “language processing”, a practice that refers to any kind of computational treatment of language. By combining these two, it explores what forms of “vernacular language processing” there could be. The project is initiated by Cristina Cochior, Julie Boschat-Thorez and Manetta Berends. varia is a member-based organisation in Rotterdam (Charlois), focused on everyday technology. It uses the term everyday technology to break through the vision of old and new technology, or smart and not so smart technology by looking more at the appropriateness of what each technology does in a particular situation, while trying to understand whose everyday is meant by the term, to not include one single world view, but to acknowledge that everyone engages with technology in a different way.

LINKS: https://varia.zone https://vltk.vvvvvvaria.org/w/VLTK

Pernilla Manjula Philip and Loes Bogers from Hackers & Designers will reflect on a recent collaborative project: SolarPunk: intergenerational workshops to reimagine the Internet(s), in collaboration with Prototype Pittsburgh & Mz* Baltazar’s Laboratory in Vienna. Links: https://www.mzbaltazarslaboratory.org/ https://prototypepgh.org/ https://hackersanddesigners.nl/s/Events/p/SolarpunkKids%28Bring_Your_OwnGrown-up%29-_Scavenger_hunt_withHackers%26_Designers https://www.youtube.com/watch?v=ckc6XSSh52w https://hackersanddesigners.nl/s/Summer_Academy_2022/p/SoilPunk_with_Hackitects_x_H%26D

radio echo hosts OOOReading Club

“Today you are you, that is truer than true. There is no one alive who is youer than you.”- Dr Seuss

What did you do, to be so much like you, so not like me, but you, who is you?

OOOReading Club is back, baby, and we’re hosting a RADIO SESSION about GROWING UP together with a special guest Mara Schwedtfeger @mara.mara.mara !!!

Through poetry, anecdotes, sounds and writing prompts, our session will help you unlock your inner child, while practicing your admirable adult analytical skills. Together with sound artist and composer Mara Schwerdtfeger, (who is transmitting all the way from Sydney), we will guide you to write a short text about what growing up means for you.

This session is also a response to our supporters across lands and seas who want to join us in text, but cannot in person. 🌊

The broadcast took place on Monday 27th March at 8p.m. CET

¿Dónde está la magia? is an ongoing radio-research project by Renata Mirón that addresses the ecological troubles of our times and their ties to the historical oppression of womxn and their artistic, spiritual and healing practices. The project is a Spanish-language radio essay that deals with the concept of magic as a practice of female, peripheral literacy, recognizing the fantastical and superstitious as a manifestation of a pluriversed knowledge system.

Join Emilia Martin in a conversation with Jan Mulder, a great storyteller who looks after the Achterhoeks planetarium in Toldijk - the most surreal place she had a chance to visit while working on "The blue of the far distance". They will take you on a journey and welcome you into our conversation about the planetarium, about how stargazing can make the world into a better place and whether anyone is looking back at us from space 👽

A sonic exploration of a meteorite as a vessel, inspired by a theory by a researcher Joanna Zylinska "The End of Man - A Feminist Counterapocalypse".

Created by Emilia Martin

Following the Flashvisit organised by De Nieuw Komers, we met together once together on the Radio Echo to listen to sounds we've created and discuss our reflections on listening, hierarchy of sounds and local bird species.

The voices in the conversation are: Yuna Lee - the experimental sound artist, Zoe Sluijs - the artist and a member of De Nieuw Komers, Joy Heijnen - the artist, the member of De Nieuw Komers and the organiser of the Flashvisit we shared and myself, Emi Martin - the hostess of the talk, the artist and Radio Echo Collective member.

This time in Pleasure Points, Peter and me get to the bottom of our submissive kinks.

Pleasure Points is part of a research revolving around sensuality and sexuality; a space for a sincere exchange of erotic knowledge and experiences in conversation with people who enjoy having, thinking or talking about human relationships and sex.

Documentation and reflections on the third workshop day of Hackers & Designers Summer Academy 2022 with DDDUG (Dot Dot Dot User Group) from Seoul, South Korea, and Hackers & Designers

This time in our monthly feminist book club ‘Echoing words of…‘ we invited tour dear friend Vera Koster to talk with us about the book ‘The Caliban and the Witch’ by Silvia Federici.

Recording of the second event of H&D Public Program of the Summer Academy Connecting Otherwise, with a film screening and presentation with Liminal Vision. Liminal Vision is screening Sonzai Zone. Liminal Vision is a creative collaboration between designer filmmaker Emilia Tapprest (NVISIBLE.STUDIO) and cultural historian Victor Evink (S x m b r a). Grounded in the research field on ‘affect’ and its use through datafication, their work explores the role of value paradigms in emerging technocultural developments through worldbuilding, material artifacts and mixed media. Their research practice advances through different self-standing projects and takes various forms, from cinematic fiction shorts to immersive installations and academic articles. https://liminal.vision/ https://nvisible.studio/

Documentation and reflections on the second workshop day of Hackers & Designers Summer Academy 2022 with Hackitects collective and Hackers & Designers

Hackitects: (Michel Barchini, Mary Farwy) is a species of interdisciplinary designers with an architectural background. Their work takes place at the interface between spatial design, biohacking, and technology. They are driven by dismantling the normative approaches to architecture by highlighting the interconnected relations between environment, human, and non-human bodies. Emanating from technological, political and cultural landscapes, they propose alternative working models that imagine rewarding and positive scenarios of uncertain futures.

Documentation and reflections on the first workshop day of Hackers & Designers Summer Academy 2022 with Melt collective and Stone Network

MELT: http://meltionary.com/ https://hackersanddesigners.nl/s/Summer_Academy_2022/p/Hacking_Into_Open_Source_and_Open_Space_with_MELT

Stone Network: https://hackersanddesigners.nl/s/Summer_Academy_2022/p/HDSA2022_Kick-off https://www.instagram.com/annauuannauua/ https://maritmihklepp.com/

Caterina Mirta Santullo is a multi-disciplinary artist whose practice is based on type and knitwear design. Alongside these two, she explores different topics such as poetry and eroticism. Based in Den Haag, she grew up between Turin and Milan, where theatre had always been part of her practice.

Caterina reads some passages from Kane's plays to navigate through some of the artist's major themes and discuss their cathartic function. We will discuss the worlds that open up by writing "in-yer-face" and how important it is to move through one's visceral responses when reading an artist like Sarah Kane.

Sarah Kane was a London based playwright who became one of the most influential profile in the British theatre scene during the 90’s. Her extremely unrestrained and fierce work became criticised and discussed because of the strong triggering content, a mean to investigate a lost world and the ultimate meanings of human connections.

This edition of our regular feminist book club Echoing words of… we read and discuss a fragment of Sylvia Marcos’ Taken from the Lips. Gender and Eros in Mesoamerican Religions. Marcos’ text is one of the main influences of Renata Mirón’s text Séance, displayed on Page Not Found’s gallery window. We will touch upon oral transmission of knowledge, live action role play as a writing catalyser, gender and colonial bias in sexual and healing practices, and much more.

Taken from the Lips draws on the hermeneutics of Mesoamerican oral discourses, analyzes precontact archaeological records and explores indigenous and Spanish voices in colonial documents and codices. Marcos cuts through the layers of misinterpretation and mistranslation of indigenous erotic and gender concepts to tease out indigenous knowledges.

Dr. Sylvia Marcos is the author of several books and articles and has widely published her ethnohistorical research in the area of gender, Mesoamerican religions, traditional epistemologies and on Curanderismo. Dr. Sylvia Marcos is a post-doctoral fellow in Psychology and Sociology of Religions at Harvard University and a visiting professor at the Graduate School of Religious Studies at Claremont University, CA. She is a member and founder of the permanent seminar of Anthropology and Gender of the Institute of Anthropological Research of the UNAM and member of the permanent steering committee of ALER (Latin American Association for the Study of Religions).

Designers Elisabeth Rafstedt and Johanna Ehde from Rietlanden Women’s office join us for a chat on feminist publishing and design. Their practice is interested in current and historical issues connected to (reproductive) work and collaborative graphic design.

The basis of their work is a printed publication series called MsHeresies — an inquiry into collaborative graphic design practices and the ornamental as a form of work critique. Their publications are available at Page Not Found.

Radio Echo kicks off their Fall season with a very special evening dedicated to feminist publishing and writing practices, live from Page Not Found. The evening starts with Renata Mirón’s Séance, a body of text in which she channels the spirits of many witches. Page Not Found displayed Séance on their gallery window from Sep. 1st to Oct. 1st 2023.

A conversation with members of POSSY and Ouza collectives that took place during the Summoning voices - A radio symposium on feminist world making July 8-9.23 in Goethe Institut Rotterdam and at radioecho.net

In the conversation you can hear members of the collectives talking about their newest collective project Sweaty Dwellings and their insights into collective practices.

Bios:

Possy is a music and art collective, fostering a higher FLINTA* presence in Hamburg’s club culture and cultural scene.

(FLINTA stands for women, lesbians, inter, non-binary, trans and agender people. The is meant to include all people who do not identify with the terms mentioned, but are patriarchally discriminated against because of their gender).

Ousa is a collective bringing together the art of illustration and social change. Ouse translates to "daring to do something" and that’s what this collective does. Ousa was formed in January 2020 out of a desire to positively influence the dynamics of the white-dominated illustration community by creating more visibility for black, people of colour and (post-)migrant illustrators.

Sweaty Dwellings

Sweat means bodily material of relation; dwelling means to occupy a place, to build a space for one’s own body. With and through our bodies we tell stories; we inhabit, build, and relate to worlds.

In this sense we understand Sweaty Dwellings as a pleasurable mess — the shared bodily urgency to make things public — claim a space. This urgency is accompanied by the desire to give these stories a place to dwell in cohabitation — a publication. But we do not want to erect monuments for eternity, instead we use our sticky hands to construct temporary practices in the present.

As we build and dwell, we try to dismantle exclusionary narratives that are only constructed for some. Such narratives in which Othered bodies are left placeless.

Sweaty Dwellings emerged as an outcome of the collaborative efforts of Ousa and Possy, along with a group of remarkable accomplices. Their collaboration centred around exploring themes of accessibility, community, and the transformative power of publishing. Through the creation of a temporary collective, they embarked on a series of workshops, ultimately giving birth to an experimental online publication and a radio program, both serving as experimental platforms for their artistic endeavour

Event description:

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

Leonie captures her environment through field recordings, which she uses for radio pieces, sound installations, and compositions for soloists and ensembles.

She runs the radio branch of Studio LOOS in The Hague and is a co-producer of Iranian Music Label Noise à Noise along with Soheil Soheili. Her music has been performed/installed globally. Right now her installation Kalpit’s Kitchen can be heard at the Kochi-Muziris Biennale in India.

Leonie holds Bachelor Degree in Composition from Los Angeles City College along with a Minor in Dance Performance from California State University Northridge, a Master’s Degree in Composition from the Royal Conservatory of The Hague in 2013. She completed a one-year course at the Institute of Sonology. She finished the Contemporary Music Through Non-Western Techniques Program at the Conservatory of Amsterdam.

Ana García Jácome is a Mexican visual artist based in Estado de Mexico. She graduated from the School of Arts and Design of the National Autonomous University of Mexico (FAD, UNAM) and obtained an MA from the School of the Art Institute of Chicago with the support of the scholarship program of Fundación Jumex Arte Contemporáneo. She works with different media such as drawing, writing, and video. Her practice addresses the social construction of disability and looks for ways to rearticulate its narratives. Her work has been presented in different exhibitions, festivals and screenings in Mexico, USA, UK and New Zealand. Since 2020 she is a member of Mexican feminist crip collective Femidiscas.

Born in the city of Pasto in Abya Yala, Ana Bravo-Pérez’ studies, publications and work in film and the visual arts draw on migration, memory and violence. Oftentimes, she uses her own migratory and diasporic experiences as a starting point for her artistic projects investigating suppressed narratives and collective histories. Her experiences have been crucial for building an artistic practice in which personal, decolonial and geopolitical questions merge. A key question in her work is how to deal with violence visually in such a way so it can heal colonial wounds, instead of representing it. Bravo Pérez is working with the colonial legacies and present-day exploitation of materials such as coal, celluloid and gold, which also leads to questioning of the materials in the chosen artistic methods.

Alexandra Duvekot (1984) is a musician, writer, and visual artist.

In her work, she examines how our perception influences the way we deal with ourselves and our environment, and how our imagination can help us to explore alternative points of view. Alexandra Duvekot graduated from the Gerrit Rietveld Academie at the Image and Language department in 2013. During her work as a musician she started to focus more on the performance aspect. Writing short poetry, lyrics and music funnelled into composing performances and conceptual installations where sound and voice is combined with language and visual art. Her work on stage creates an opportunity to build up different dimensions and to experiment with projects where art, science and sound become one. On-going research, collaboration and interaction with the audience is a major part of Duvekot’s work. Often the artist herself holds a lecture on her research or gives the opportunity to scientists, sonologists, musicians or writers to reflect on her findings and open a dialogue with the audience in her work. This results in questions and themes that recur in her work. An artistic research often ends with a question.

In 2014 she set up sound art collective Meduse MagiQ which is located in an old church in Amsterdam and operates as a radio station, a record label, festival curator and a space for collaboration between several international (female) musicians and artists. Working collectively is of immense importance in her work and she supports the collaboration of different collectives working around the concept of art and sound.

Alexander is an artistic researcher pursuing his PhD with PhDArts at Leiden University. He uses his spoken word performance practice as a research tool to investigate facets of black epistemology and phenomenology that are conjured through voice during a performance event.

In his off time he enjoys cooking, hanging out with his cat, and playing (maybe too much) Zelda.

A conversation with Roselin Rodríguez Espinosa that took place during the Summoning voices - A radio symposium on feminist world making July 8-9.23 in Goethe Institut Rotterdam and at radioecho.net

In the conversation you can hear Roseline talking about her research and practice of depatriarchalizing the archives and feminist approaches to archival processes.

Bio:

Roselin Rodríguez Espinosa (La Habana, 1986) is art historian and curator based in Mexico City. She is currently pursuing a Ph.D. in Art History at the National Autonomous University of Mexico, UNAM. She was Curatorial Coordinator at the University Museum of Contemporary Art, MUAC/UNAM (2016-2018). Her academic and art critique writings can be found in various national and international publications. She is a member of the seminar-workshop Depatriarchalizing the Archive since 2020 and she is currently working on the collective research “Coordenadas móviles. Redes de colaboración entre mujeres en el arte y la cultura en México (1975-1986)”.

Event description:

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

A conversation with Margherita Brillada that took place during the Summoning voices - A radio symposium on feminist world making July 8-9.23 in Goethe Institut Rotterdam and at radioecho.net

In the conversation you can hear Margherita talking about her artistic practice, her sonic journey and radio work.

Bio:

Margherita Brillada is a sound artist and radio maker-curator based in The Hague. She is currently a research associate at the Institute of Sonology and a PhD candidate at the ACPA University of Leiden (NL), with a practice-oriented research project entitled: Re-thinking Radio Art: Community Radio and WebRadio. On Air On Site is the first outcome of this practice-oriented research project, resulting in an experimental web radio based in Den Haag, collaborating with Cashmere Radio in Berlin and the Institute of Sonology.

By re-thinking radio as an exhibition space for experimental sound art, the project attempts to articulate a specific “radio poetics” according to the sonic dimension intrinsic to the medium. Her practice involves soundscape composition by exploring multichannel systems to create immersive listening experiences, engage with audiences and bring a voice to current social thematics.

Producing radio artworks in search of new synergies between pure abstraction and storytelling, she pays particular attention to the urban soundscape and the anthropogenic presence in public spaces, emphasising the role of the disembodied and acousmatic voice in the electroacoustic context. To collect the sound materials for her compositions, in her practice, she include as an exploration in situ of site-specific spaces with different field recording techniques.

Event description:

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

What stays behind, on a pile after all other clothing has been chosen again for someone, an island of discarded things, a bag, a hat, jacket, or pants, weaving, painting, create patterns, destroy and solve, wear differently, stitch, paste, sew, hammer eyes, create presents, fetish gear with old clothes, a collage of textiles, or not a fashion item but a hug for someone sweet, a pillow for your cat. What if recycling is not a boring must, but an exciting new opening, not a single dress you will wear forever but 10 dresses you can reform again and again and again until there is an end. Imagine this would be fun?

@vanessakourtesi "The garden in front: Say Nothing II"

What's in a singer's voice? How is our sound impacted by our experiences and how do we express it? what does it mean to be a female vocalist, and how is this identity impacting our work and artistic practice? how is female voice percieved and what is expected to do or not do? These questions are investigated by fragments of literature, contemporary compositions, lullabies and laments that get lost in time. During the show, Vanessa will play a piece specially composed by her for the occasion, based on a sound collage of voice messages that answer the questions above.

A dj, a frontwoman and a movie girlie walk into Worm, they also happen to be long-time friends. What happens? Of course, they talk about their favorite non-boybands! Join them as they share all the best songs, the juiciest facts about the artists and their feminist killjoy-fueled frustrations as women in the cultural sphere.⁠

The sonic image of Mata Hari—an iconic figure and a family member of Lieuwe. Mata was famous dancer from the Netherlands who lived as an independent women around 1900 in a time where women had no rights. A sonic reflection filled with letters, sounds, memories.

Mien El Helwa Di is a feminist piece of the outright aggression and the subtle ones 'women' face. In all its triggers, it truly is a love letter to the one who faces the injustice of it all and powers through. It is a bilingual piece between Arabic and English.

Have you ever thought how your funeral would look like, which tunes would be played, who would attend and who would pass?

Deadly Neurotic is a radio show for those who are unafraid to tackle the cringe, the emotive, the dramatic or the naive behind our musical histories. On the show i sit guests at the mic and discuss the music we would like to be played at our funerals, tracing in casual conversation the stories and associations behind each track. Join me and my guests in navigating each others psyches through the soundtracks of our fantasies, our memories, and the sounds and voices that move us beyond life.

Is the music i love who i am, or the way i want to be seen? Join me in exploring this question every first Thursday of the month on Radio Echo! This is my very first episode with a very special guest and dearest friend Valerio Conti (or cunty hehe). We talked about pop music, solemn christian guilt and much more!

Emi Martin's soundpiece on meteorite: a part of her research into her body of work 𝘪 𝘴𝘢𝘸 𝘢 𝘵𝘳𝘦𝘦 𝘣𝘦𝘢𝘳𝘪𝘯𝘨 𝘴𝘵𝘰𝘯𝘦𝘴 𝘪𝘯 𝘵𝘩𝘦 𝘱𝘭𝘢𝘤𝘦 𝘰𝘧 𝘢𝘱𝘱𝘭𝘦𝘴 𝘢𝘯𝘥 𝘱𝘦𝘢𝘳𝘴. A curious stone is a sonic collage about the Alabama woman who got struck by a meteorite (a reading part kindly provided by @jellehavermans) The soundpiece was originally broadcasted during the Perseid meteor shower 2022 and was an invitation to stargaze while tuning in.

In the Radio Echo monthly feminist reading club Echoing words of… we are discussing Quantum Listening by Pauline Oliveros.

Recording of the second event of Hackers & Designers Public Program of the Summer Academy Connecting Otherwise 2022. The Queer Arcana is a theatre/game collective that organises theatre shows in which a group of drag performers play Dungeons and Dragons on a live theatre stage. Queer Arcana tries to enhance the visibility of queer gamers and investigates what happens when you overlap different subcultures in art and design. The members are working towards setting up a large digital and analogue gaming community where gaming is used as a tool for strengthening social cohesion, and as a way to explore the self regarding gender identity, humanity, and position in life. The lecture-performance will address the evolution of non-binary drag and how it has influenced the queer community’s discussions of gender identity.

ᖇᗩᗪIO ᔕéᗩᑎᑕE is a research project on the radio by Radio Echo Member Sophie Allerding, about role play and active imagination as modes of knowledge production and storytelling methods. Next to life experiments, different makers and practices will be interviewed.

About the Radio LARP: Chilli and Cayenne will make your big dream come true! On Monday, now and then, you can try your luck and call! The line is running hot, but maybe you‘ll make it, and if you get through, it‘s game on! Come and play to make your biggest dream come true.

The third issue was produced in collaboration with Jana Romanova. Together we developed a radio larp which will be played life on radioecho.

The Interview with Jana Romanova starts in hour 2:23.

Jana Romanova is a multidisciplinary artist inspired by misunderstandings. Currently, she is researching how different game mechanics, gamification and playfulness can become tools for creating meaningful connections. She designs and facilitates larps and all sorts of games.

Mariëtte Groot has been working for WORM, the Institute of Avantgardistic Recreation in Rotterdam, ever since its beginnings. Two relevant activities for WORM have been: running the WORM shop with books, films and records, and founding the RE#SISTER community, operating from WORM’s electronic studio. The WORM shop has morphed into a mobile and on-line shop called Underbelly Soundartmedia; RE#SISTER has evolved rapidly in a vibrant group of female and non-binary people, responding to its ethos of accessibility, do-it-yourself experimentation and learning, supporting those who tend to be underrepresented in sound art, as well as in electronic and improvised music. Mariëtte herself plays free-flowing music, either solo or with others, using her voice, synths, samples and small acoustic instruments.

Pleasure Points is part of Lena Holzer's research revolving around sensuality and sexuality; a space for a sincere exchange of erotic knowledge and experiences in conversation with people who enjoy having, thinking or talking about human relationships and sex.

Pleasure Points is part of Lena Holzer's research revolving around sensuality and sexuality; a space for a sincere exchange of erotic knowledge and experiences in conversation with people who enjoy having, thinking or talking about human relationships and sex.

ᖇᗩᗪIO ᔕéᗩᑎᑕE is a research project on the radio by Radio Echo Member Sophie Allerding, about role play and active imagination as modes of knowledge production and storytelling methods. Next to life experiments, different makers and practices will be interviewed.

Mingus Janssen is a researcher, designer and writer concerned with the voices, perspectives and views of more-than-human entities. Besides running the publishing house Mycelium Media, Mingus currently interviews people pretending to be their fascination, turning interviewing on its head.

In this episode we are first listening to a spider interviewing Sophie Allerding. After minute 17 you will hear Sophie interviewing Mingus on his role-play interviewing practice. Disclaimer: Originally Mingus interviewed Sophie as a crow but this part of the recording got lost. We replaced it with a previous interview they had in which Mingus was a spider.

Federeica Coseschi & Linda Lund Pedersen talking about Femø' Women's camp

Federica Coseschi (she/her) is an italian artist and photographer based in Denmark. Her practice revolves around themes such as womanhood, social construction of identity and of gender. Her work and research reflect on how we photograph and use photography. Focusing on the use of photography in the everyday and how this can, as a care practice, become a way of community building. Federica has a bachelor degree in Sociology (Universidad Complutense de Madrid) and she is an alumni from Master Program Photography and Society (KABK, Den Haag).

Linda Lund Pedersen is a lecturer at Roskilde University, DK. Currently her research focuses on bureaucratic separation in Danish family reunification politics. She has a strong commitment to transdisciplinary and transnational feminist research and teaching. Linda has been actively engaged in several European gender research networks, including AtGender and ATHENA: Advanced Thematic Network in European Gender Studies and feminist groups. She loves reading 70’s and 80’s feminist literature. She has been part of the organising team and workshop facilitator at the Women’s camp (Femø) for many years.

Femø' Women's camp

The Femø Women’s Camp has been held since 1971. Until the mid-1980s it was arranged by the Women’s Liberation Movement that organised the camp, and it was based on the movement’s ideals of sisterly solidarity and feminist culture. Since there was no longer a unified Women’s Liberation Movement from the mid-1980s, the camp continued as an independent association.

https://kvindelejren.dk/womens-camp-frauencamp/history/

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.

Max Dashu is the founder of the Suppressed Histories Archives where she researches and documents women's history from an international perspective. She built a collection of thousands of images of female cultural heritages across human history. Dashu's work bridges the gap between academia and grassroots education. It foregrounds indigenous women passed over by standard histories and highlights female spheres of power retained even in some patriarchal societies. Dashu is internationally known for her expertise on ancient female iconography in world archaeology; female spheres of power and matricultures; patriarchies and allied systems of domination; medicine women, female shamans, witches, and witch hunts. Dashu is the author of Witches and Pagans: Women in European Folk Culture, published in 2016 among many other publications, videos and essays.

Summoning voices - A radio symposium on feminist world making

Words make language, language makes stories, and stories make worlds

Radio Echo is summoning a diversity of voices of storytellers, artists, radio makers, community builders, researchers and activists during a two day radio symposium, online at our radio platform and physically at the Goethe Institut Rotterdam. Through a series of conversations, dj sets and vocal experimentations that weave a multilayered broadcast that touches upon methods to reimagine the realities that define our lives. With it we challenge normative understandings of being together and compose a web of solidarity amongst our communities. We aim to provide a space where many disciplines can intersect, nurture each other and find a channel to influence the world with a touch of our magic.